I have no memory of life without God, and the reason this is so, I believe, is because of my mother’s singing.
I do have a memory—it must surely be one of my earliest ones—of being rocked in my mother’s arms as she sang. My mother has a beautiful voice, and she loves to sing. She sang in her church’s choir before her children came along, and I have seen photos of her in her choir gown, long brown hair curling, cascading to her shoulders, smiling broadly.
The Old Rugged Cross and In the Garden were two of her favourites. I think I’ve known their words and melodies and of the God who inspired them, thanks to her singing, my entire life.
I’ve always loved my mother’s voice.
I still do, and I count it a blessing to stand beside her in church Sunday after Sunday and hear her sing. Her 86-year-old voice doesn’t have quite the strength or range it once did, but it’s still butter-rich and smooth. Sometimes, I try to harmonize with her, the way we used to when I was a girl as we did the dishes in the kitchen after dinner. I always harmonized badly in spite of her heroic efforts to teach me otherwise; in the vocal department it seems, I inherited more of my father’s gift for making a joyful noise unto the Lord, than my mother’s ear, pitch, and tone.
Given that I trace the beginnings of my faith to my mother’s music-making, it felt appropriate that the final chapter in Practicing Our Faith: A Way of Life for a Searching People should consist of Don E. Saliers essay, “Singing Our Lives.”
Describing music as “the language of the soul made audible,” Saliers says that “human voices, raised in concert in human gatherings, are primary instruments of the soul.”
I’ve long been self-conscious about my voice. When, in my teens, I had the opportunity to sing back-up vocals as part of a Christian pop band for a teen television program, I auditioned, shyly, by singing “He’s Got the Whole World in His Hands.” I got the part, much to my amazement, but I spent the next three years convinced that I was unworthy of it (in spite of my ability to keep up with the nifty dance moves.) Whenever our rehearsals would be interrupted because “someone” was flat, I just knew the someone was me.
And yet, I loved to sing.
When my husband and I were dating, and I mustered up the courage to suggest we sing one day while making the 90-minute drive to his parents, I knew he was the man for me when he joyfully joined me in singing “You Are My Sunshine,” and didn’t wince at all upon hearing my voice. “Here is a man,” I remember thinking, “who won’t mind my singing in the kitchen.”
Later, hoping to pass on the gift of faith to our three children, as my mother had done to me, I rocked and sang to them all. Our firstborn’s bedtime routine consisted of “three stories and three songs.” By the time our third came along, I’d cut back to “one story and one song,” for each of them, but the songs and hymns were an ever-present part of evenings in our home for many years. I had my own copy of our church’s hymnbook so that I could expose my children to a broader range of the music of our faith than my limited repertoire would allow. Usually, it went well, although I have a vivid memory of my son clapping his hands over his ears one night as he pleaded,“Mummy! Stop singing!”
But singing is in more than just my DNA.
Singing is also the lifeblood of the church and it has been from the beginning. (We may not sing many hymns any more, and using hymnbooks is not the contemporary way. Today, congregational singing at my church largely consists of following the words to choruses projected onto a screen, while accompanying tunes played by instrumental and vocal “worship leaders.”)
The music has changed over the centuries, but, it has always been an integral part of Christian faith and worship. “The Christian church was born singing the songs of ancient Israel, the synagogue, and the Greco-Roman world,” writes Saliers. “Psalms and canticles formed the heart of prayer and the music of the earliest Christian assemblies.”
Embodying theology is what we do when we sing our faith.
“Where people sing of God, an embodied theology—a way of living and thinking about life in relationship to God—is formed and expressed,” writes Saliers. “Through this practice, music lends its power to all the other practices that shape and express who we are.”
It seemed fitting then that I should conclude my musings on 12—out of possibly hundreds or even thousands—of practices of my Christian faith, with this reflection on the importance of singing our faith. For it was in my mother’s singing of her faith, that the seeds of my own relationship with God were planted.
I’ve written previously in this series about singing hymns with and to a loved one who is dying, and of how doing so seems to be reminding her of important truths to which she has assented her entire life. It’s also affirmed my faith to sing these songs of worship with her.
So when our church was seeking, recently, to dispose of the old hymnbooks that once graced our pews and guided our congregation’s worship for so many years, I asked for three, one for each of my children.
Because some day, God willing, they will sing to me.
Practicing My Faith, Part 14 – This post is fourteenth in a series and part of a culminating project for a course I am taking on Spiritual Discernment and Theological Reflection at McMaster Divinity College with Dr. Wendy Porter. For context, read part 1 and part 2.